Where is episode 10 of the americans

So much information came out in that parking garage, and so many emotions had to be considered by both Weisberg and Fields, who wrote the episode, and Rhys and Emmerich as performers. First, Stan earns their confession. Yes, he has the gun, but Philip and Elizabeth have him outnumbered. He just feels heard. Rhys hits every one of those notes throughout. Rhys finds the honesty Philip has been searching for throughout the series, and he pours it out in that garage. But it cuts off as their train comes to a stop and is boarded.

The music would keep playing and the train would keep rolling. Except … let them go. Let them deliver the message. You should probably shoot me. They start to back away.

And then Philip offers one more gift, although it lands like a punch. And we never really find out the truth. Then they are in the car. Stan is blocking their way. In a lesser show, this might be where the shooting begins. Or where the lawman gets crushed beneath the wheels of their getaway car. The Americans has always done well with period-appropriate music, but the needle drops on this final episode are especially gut-wrenching. We see a final shot of Oleg Burov, trapped in his tiny cell. Has Stan allowed the message to go through?

But Philip, Elizabeth, and Paige have a long way to go before they find out for sure. If they are welcomed home, then Gorbachev discovered the truth, and they are safe. If not, if the summit fails and Gorbachev is deposed, they will be traitors. On the road to Canada, they disguise themselves to look like their fake passports, and bury their other belongings in the woods, along with the fake passport that Henry would have used. Paige convinces them to reach out to him at school, and the boy is perplexed by the strangely emotional phone call he gets that night.

And then he comforts the boy. His boy, now. As he leaves with their take-out, Philip looks longingly at an average American family of four, dining across the restaurant. Stan comes home that night, and he pulls the covers up on Renee. When she comforts him the next day as agents tear apart the Jennings house, he looks uncomfortable, but it is never clear that he acts on the suspicion Philip had.

On the train to Canada, some U. First Philip passes inspection, then Elizabeth. No disturbances. Stan, I have to abandon my son. I finally got caught. This is the story of Mikhail and Nadezhda, the purpose they found, and the price they paid. With that hardened face, subtle nervous tics, and firm handshake his purpose was to always be a hero. So he followed that purpose and it cost him his wife, his partner, and arguably his son. EST has always been a corny little side quest for Philip that his wife and friend like to needle him about.

Stan was cast in the role as Captain America, defender of liberty when all he really wanted was a friend. Philip, Nina, Oleg — Stan has had a surprisingly easy time choosing friends over country when his job is to do the precise opposite. He does it again here and lets them go. In return he pays for this decision too as Philip tells him Renee may be a spy.

No good deed…. Paige has finally made her choice just like her parents did all those years ago. Henry is her purpose. Someone has to watch him become a hockey superstar. At the end of The Americans , nobody is home. Stan cannot trust the woman lying in bed next to him.

Those two Russian kids wanted a purpose and were cursed enough to find one. After Elizabeth and Philip have lost Paige, Elizabeth dreams a strange dream. A photograph of her family adopts the same black and white shades. Art was never more than a political tool for Elizabeth until she met a person brave enough to tell her the truth about it. Art is everything and nothing. Still, it takes some doing. All these years, my life was the joke, not yours. Plenty of characters have met bad ends over six seasons — and the show could stage an elaborate suspense set piece when it wanted, like the Chicago sequence — but the central characters lived through the entire run.

Renee was never activated. And the tension never flags. For Philip and Elizabeth, getting found out means losing their children. Once upon a time, the kids were part of a plausible cover story, a perfectly boring tale about travel agents raising a family in suburbia. The scene at the phone booth brings those feelings out with devastating clarity. And how much we love you? The beginning of the song:.